Men, retreat!

I spent the weekend at a men’s retreat. This bastion of the 1980s and 90s seems to have plummeted in popularity since the millenium (a Google search on “men’s retreat” brings up a scant 434,000 hits), which brings up the burning question “Why?”. Could it be that men are now so bonded and well-adjusted that they no longer need the rituals and self-affirmations of encounter groups. I doubt it!

Still, i found the retreat idea intriguing, especially since it built on a Men & the Environment conference that featured Victoria’s eco-uber-guru Guy Dauncey, whom i’ve wanted to meet for a long time. Man and the (degradation of the) environment . . . call it a hunch, but is there a connection there somewhere? I went to both events.

So the five stages of men’s retreat for me seem to be: trepidation, hope, deliberate participation, fear of hugs and tears, fun, annoyance, bemusement, getting lost in the woods, and hesitant embrasure. (How many is that?) It was an interesting experience. An eclectic 14 guys — no, men, let’s not shy away from the word — many of whom had experienced the movement years before, some drawn to it, some pushed by crises in their lives.

What did we do in those two days? None of your business is my first response. There’s a reason rituals are guarded — their secrecy gives them much of their force. The big surprise for me was realizing that ritual does have power. Heretofore i’d looked upon it as play-acting or metaphor, and assumed that what efficacy it had comes not from the acts themselves but from their attached cultural significance.

dancing-w-wolves-water-altar
The water altar

I was wrong: the ritual itself induces change in one’s thinking and the conduct of one’s life. And it works in ways that nothing else can. The more i think about it (i’m writing this ten days later), the more i realize the extent to which it has affected me. And the greater my dedication to the arts, which i see as ritual in another guise.

Men’s groups, as it turns out, also come with lots of gushy language and touchy-feely superlatives, to which i am NOT attached in this age of rampant and meaningless exaggeration. (That piece of toast was to die for, it was amazing, it totally changed my life! Pah!) So part . . . much . . . most of my reservations are me being uncomfortable with the physical and the sharing aspect of the weekend. I have pretty much NO experience spilling my guts to men, and that brings with it the correspondingly meager comfort level.

The whole exercise is pretty much one of creating a safe place for men to be with each other in a meaningful way, which is the key. There are plenty of safe places for men — work, the bar, the street, a sports field — but none are particularly meaningful and in none of them do we dare spill our guts or say what’s really on our minds. That’s necessary but almost impossible to find outside of the formal men’s circle.

Would i do it again? I would. I probably will. I might even start organizing a men’s group wherever i end up settling down.

Our three elders/organizers need mentioning:

  • Michael Tacon, of the Well Foundation, grandfathered the whole thing.
  • Dr. Steven Faulkner has run men’s groups as part of his medical practice for decades, and was our principal guide through the long Saturday. A steady hand on the emotional volume control. In his words (kind of telling me off for my cavalier treatment of the rites):

[The] purpose of the rituals was to re-enter our own mythological space and reconnect us individually to our universal nature. Once we reconnect to that, then we can return to the work immediately in front of us. Guy Dauncey reminded us that that there is an urgent need for leadership today. We engage where our higher self intersects with our natural skills.

  • John Shields, ex-priest and current executive director of The Haven (25 years of personal growth courses on Gabriola Island — How could i not have heard about this?‘), wound the weekend up with a striking cosmological perspective of, well, the universe and everything in it. The man has presence. Brought tears to my eyes.

The conference and the retreat were organized by the Well Foundation of Victoria. It was held at the YM/YWCA’s Camp Thunderbird, near Sooke.

Dauncey, incidentally, lives in Saanich, Vancouver Island, and runs  earthfuture.com and puts out the Econews monthly newsletter. If you’ve got those world-in-the-toilet blues real bad, Dauncey’s the pill. (Him and action, at any rate.) The man’s an optimist and a visionary and his uplifting message is oh, so welcome in these dark, dark times. Do yourself a favour and check it out.

Otta-wah-wah

Saturday night, i watched the gravid moon rising behind the main stage of the ottawa folk festival, with colin linden doing a solo blues set and then sarah harmer and her band taking us to midnight.

Then it was a wildish 40-minute bike ride in the dark along the ottawa river, back to friends Mark & Jimena’s place (he’s an ex-Ukeeite). What a night!

Ottawa’s great fun. I spent hours today walking around and visiting the fabulous Museum of Civilization — fascinating stuff, including a section on West Coast Indian life that made me nostalgic.

I’m off to Montreal tomorrow, to visit my sister. I was going to stay an extra day here in Ottawa, i like the town so much, but the hostel is full tomorrow night. This is a full-on youth hostel (though they’ve all dropped the adjectinve now), with accents from around the world, and i’m the oldest one here by a factor of probably two. It has an interesting French flavour, in that the dorms are co-ed; my third-floor room has 8 bunk beds (16 people in all), split about half and half. I appreciate it; i suspect the girls don’t.

I’ll post some Ottawa pics from my sister’s computer.

Last half of August — tourist season’s almost over, folks. The heady days of September are nigh.

Winnipeg scenes

I have been lax in posting pics of my birth town. Here’s a taste of what it’s like.

First, the strawberry season (about two weeks long)

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Louis Riel stands proud before the parliament buildings

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An Exchange District art gallery
(one of many)

The Winnipeg cottonwoods, on the
grounds of the Rainbow Stage

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It’s a long, straight road to Gimli and Lake Winnipeg

The long, straight road to Gimli

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Stone, stone, stonework at the intersection of Portage and Main

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The “illustrated bear” park

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A downtown mural (one of many — i tell you, it’s an arts town)

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And an open-air swing-band concert at the Lyric Theatre, Assiniboine Park

3-cornered fringe

Whew. Four hours of volunteering (parking duty, ugh) at the Winnipeg Fringe Festival, followed by three plays, then an hour’s bus ride back to Mom’s place. The line-up tonight:

  • Skin Flick — three 20-somethings, all still living in their parents’ basements, get involved in making their first porno movie. Enthusiastic acting by young cast, fine comic timing, and beefy, witty writing by neophyte U of Winnipeg playwright Gonzalo Riede.
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  • Inferno Sonata, written and acted by Scott Sharplin (right) — Wow, a tour de force of acting in this highly eccentric, classical one-man show. Both annoying and riveting, it unfolds like a piece of origami on black paper. Sit up front. Best set you’ll see on a Fringe production.
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  • Old Growth — Had to see this one because it’s set in Haida Gwai — the demise of the Golden Spruce. Overly preachy, but a strong tale pulled, nay, dragged me through it. Alex Eddington wrote and stars, along with accomplished flautist Aura Giles (and i don’t even like flute). Passion! Drums! Nudity! Important Message! That’s what Fringe is all about, folks.

Okay, good night. It’s 12:16 a.m. and i have to get up at 7 to catch my 10-to-2 shift tomorrow morning — plus another couple of plays, of course!

Question: How come no older guys ‘n’ gals in the Fringe (so far)?

Fringe launch

Started today as a Fringe volunteer, and it was, er, somewhat less than inspiring. Parking, that’s me. I patrol the parking lane by the Old Market Square outdoor stage, and make sure only performers or vendors are parked there, and that they have the appropriate permit. You know what they say: give a little man a little power….

Nah, it wasn’t that bad. Just a bit boring. But i got to watch all the acts on the open stage — mostly aimed at kids, so a bit puerile.

But then came … the Fringe. Caught two plays after my shift:

  • Busty Rhymes and MC Hot Pink — a one- (Kiwi-)woman show about … mostly, her breasts. And the rest of her full figure. And problems with men. And Lots of energy, but the material didn’t seem fresh. I did learn the interesting fact that Auckland has 35,000 more single women than men. Hmm.
  • ‘Beth, which i went to because the timing was right and i could get a ticket, was an attempt at retelling Shakespeare’s Macbeth story in a modern, money-grubbing, doctor-the-will context. Didn’t quite work, but a brave effort. (I’m pulling punches here because i really admire Fringe performers’ guts — it’s naked theatre — and i cringe whenever i see a callously negative review.)

Both shows not terrific, but it’s inspiring to be surrounded by artistic energy. Theatre matters, and art matters, in this context.