Zennish thoughts

Some straight shooting from Huston Smith, The World’s Religions (p. 132):

Zen is not interested in theories about enlightenment, it wants the real thing. So it shouts, and buffets, and reprimands, without ill-will entering in the slightest. All it wants to do is force the student to crash the word-barrier. Minds must be sprung from their verbal bonds into a new mode of apprehending.

And this one from Te Shan, the Zen master notorious for burning all his Zen books following his awakening:

Those who have not attained awakening should penetrate into the meaning of reality, while those who have already attained should practice giving verbal expression to that reality.

Both these thoughts, discovered more or less at random on the Internet, give me pause. Ever since i began delving into Buddhism and Zen some three years ago, my writing life has waned in the face of those “verbal bonds.” I not only saw no way out of the conundrum of words artificially dividing the one world, i lost all interest in pursuing the verbal/written path.

The glaring paradox, of course, is the stacks of books written by Buddhist and Zen adepts — books full of words, natch — setting forth the principles and ideas of this supposedly wordless “mode of apprehending.” What’s a confused mendicant to do, stumbling around unguided in the dark?

The second quote offers up some light. Words, if not the only means for us to get into each others’ heads, are certainly the most common and arguably the most precise — and are therefore tools worthy of consideration, so long as one maintains the distinction between the signposts and the territory.

I still have little serious interest in writing, be it poetry, fiction or non-; it seems a secondary, derivative mode of being, as opposed to the immediacy of sense impressions and just plain living, moment to moment. But a person’s gotta do something with his days, and few of those potential somethings have any enduring import in the real world, and so storytelling is not (quite) out of the running. Yet.

The irony of this wordy post does not escape me.

LATER THAT DAY …

Hah! The hidden engines of serendipity are firing. Stumbled upon (or was i invisibly guided to?)  this 28-second ejaculation from Terence McKenna:

What he says: Art’s task is to save the soul of mankind, and that anything less is a dithering while Rome burns. Because if the artists, who are self-selected for being able to journey into the other, if the artists cannot find the way then the way cannot be found.

Otta-wah-wah

Saturday night, i watched the gravid moon rising behind the main stage of the ottawa folk festival, with colin linden doing a solo blues set and then sarah harmer and her band taking us to midnight.

Then it was a wildish 40-minute bike ride in the dark along the ottawa river, back to friends Mark & Jimena’s place (he’s an ex-Ukeeite). What a night!

Ottawa’s great fun. I spent hours today walking around and visiting the fabulous Museum of Civilization — fascinating stuff, including a section on West Coast Indian life that made me nostalgic.

I’m off to Montreal tomorrow, to visit my sister. I was going to stay an extra day here in Ottawa, i like the town so much, but the hostel is full tomorrow night. This is a full-on youth hostel (though they’ve all dropped the adjectinve now), with accents from around the world, and i’m the oldest one here by a factor of probably two. It has an interesting French flavour, in that the dorms are co-ed; my third-floor room has 8 bunk beds (16 people in all), split about half and half. I appreciate it; i suspect the girls don’t.

I’ll post some Ottawa pics from my sister’s computer.

Last half of August — tourist season’s almost over, folks. The heady days of September are nigh.

Fringe wrap

Okay, so i did five volunteer shifts (4 hours each) at the Winnipeg Fringe (July 16-27),  and ended up seeing 14 shows out of a possible 140.

Shows i saw, in addition to the ones reviewed below:

  • The Green Zone — I saw Winnipeg modern dance icon Jolene Bailie‘s solo show at the Vancouver Fringe years ago, and i just didn’t get it. All those shrugs, dramatic pauses, flailing limbs … i just didn’t have the movement vocabulary to make any sense of it. This time around, though: gorgeous. The movement was riveting, the lighting highly dramatic (something missing from every other Fringe show i saw), and it all somehow made sense. Jo has matured as a performer, and maybe i have too as an audience. Five stars.
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  • Totem Figures — Vancouver’s TJ Dawe, perennial Fringe workhorse, tells how it’s been for ten years of Fringing, in 90 minutes of wide-ranging, rapid-fire monologue that’ll make you listen closely and think hard to keep up. Impressive, but i’d like to have see a bit more theatricality (i.e. motion, lighting, variations in tone of voice). * * * * nonetheless.
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  • sucker — Truly creepy show about pedophilia, but not like you’re thinking, you fucking pervert. Men, stay away if you are anywhere near mid-life crisis. My gut wants to say two, but four stars for Fringeworthy impact.
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  • The Red Handkerchief — an ambitious pas de deux (quatre if you count the mannequins). Relationship story with ingenious theatrical twists — maybe too much so. Three stars.
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  • Manners for Men — I have to acknowledge this was well acted, by Justin Sage-Passant; it takes skill to maintain such a d-e-a-d   s-l-o-w pace throughout, along with such rock-steady characterization of a wingeing momma’s boy. Not much of a story, though. I wanted to shake the piss out of the guy after five minutes. 3 stars.
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  • American Squatter — American humourist Barry Smith basically gives a PowerPoint show about his growing-up years, including living in a London squat. The delivery was smooth, the PowerPoint slides were okay, but really … PowerPoint? 2 or 3 stars, depending.
Fringe line-up, from the Mondragon Cafe
Fringe line-up, from the Mondragon Cafe

And more importantly, shows i want to see at the Vancouver Fringe, based on reviews and scuttlebutt heard on the Winipeggy streets:

  • jem rolls: How I learned to stop worrying and love the mall — the best of spoken word and storytelling
  • The Tricky Part — a tough subject (child abuse from the abusee’s point of view), but powerfully written and superbly acted. Played to rave reviews.
  • Guernica — Deep, dark dance, a.k.a. physical theatre.
  • The Aethernomicon — it’s got puppets. Can’t resist that!
  • The Shakespeare Show or, How an illiterate son of a glover became the greatest playwright in the world — because it ain’t da Fringe unless there’s a Shakespeare angle.
  • Yorick! See mandatory Shakespeare reference above.
  • Crude Love — “a cynical eco-warrior falls in love with a Newfie woman dump truck driver in the harsh Alberta oil sands”
  • How to Fake Clinical Depression — ’cause i might need to know about this sometime.
  • ImproVision: Fast, Loose & Lovely — had the best posters, and ya gotta see at least one improv.
  • The Wrong Hole — because i can’t resist the title. Sketch comedy.
  • Sherlock Holmes & the Saline Solution — top marks from critics and audience.
  • Demons of the Mind — ‘Cause i’m a sucker for dance.
  • Spiral Dive — cousin Jim liked it.
  • It’s a Gay Gay Gay Gay World. Maybe if i’m in a gay mood.

Plus about 30 others, of course. It’s the Fringe, it’s s’posed to be a crapshoot. Be adventurous.

Most of these shows are heading west for the Calgary Fringe (Aug. 1-10), Edmonton Fringe (Aug. 14-24), Victoria Fringe (Aug. 21-31), and Vancouver Fringe (Sept. 3-14). Catch them — and a dozen more — when you can!

Fringe street meditators
Fringe street meditators

3-cornered fringe

Whew. Four hours of volunteering (parking duty, ugh) at the Winnipeg Fringe Festival, followed by three plays, then an hour’s bus ride back to Mom’s place. The line-up tonight:

  • Skin Flick — three 20-somethings, all still living in their parents’ basements, get involved in making their first porno movie. Enthusiastic acting by young cast, fine comic timing, and beefy, witty writing by neophyte U of Winnipeg playwright Gonzalo Riede.
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  • Inferno Sonata, written and acted by Scott Sharplin (right) — Wow, a tour de force of acting in this highly eccentric, classical one-man show. Both annoying and riveting, it unfolds like a piece of origami on black paper. Sit up front. Best set you’ll see on a Fringe production.
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  • Old Growth — Had to see this one because it’s set in Haida Gwai — the demise of the Golden Spruce. Overly preachy, but a strong tale pulled, nay, dragged me through it. Alex Eddington wrote and stars, along with accomplished flautist Aura Giles (and i don’t even like flute). Passion! Drums! Nudity! Important Message! That’s what Fringe is all about, folks.

Okay, good night. It’s 12:16 a.m. and i have to get up at 7 to catch my 10-to-2 shift tomorrow morning — plus another couple of plays, of course!

Question: How come no older guys ‘n’ gals in the Fringe (so far)?

Fringe launch

Started today as a Fringe volunteer, and it was, er, somewhat less than inspiring. Parking, that’s me. I patrol the parking lane by the Old Market Square outdoor stage, and make sure only performers or vendors are parked there, and that they have the appropriate permit. You know what they say: give a little man a little power….

Nah, it wasn’t that bad. Just a bit boring. But i got to watch all the acts on the open stage — mostly aimed at kids, so a bit puerile.

But then came … the Fringe. Caught two plays after my shift:

  • Busty Rhymes and MC Hot Pink — a one- (Kiwi-)woman show about … mostly, her breasts. And the rest of her full figure. And problems with men. And Lots of energy, but the material didn’t seem fresh. I did learn the interesting fact that Auckland has 35,000 more single women than men. Hmm.
  • ‘Beth, which i went to because the timing was right and i could get a ticket, was an attempt at retelling Shakespeare’s Macbeth story in a modern, money-grubbing, doctor-the-will context. Didn’t quite work, but a brave effort. (I’m pulling punches here because i really admire Fringe performers’ guts — it’s naked theatre — and i cringe whenever i see a callously negative review.)

Both shows not terrific, but it’s inspiring to be surrounded by artistic energy. Theatre matters, and art matters, in this context.